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The Great Women's Art Bulletin
The Guardian | Est. July 2022
Online and in print | Every other Monday
49: The artworks that help people feel seen
41: Cycladic Figures & the Female Body
42: Arts education for
people with developmental
disabilities
40: The power of Public Art
39: Angelica Kauffman +
reframing the women in Greek Myths and history
38: How María Berrío's
paintings offer hope
Bonus: Museums Without Men
37: In response to Art Council England's ban on
"political statements"
36: The 5th Century
Feminist Saint Brigid
34: It's Never Too Late To
Try Something New
33: The Idealisations of Ballet
35: The Art we see on TV
32: National Museum of
Womenin the Arts
31: What If Women Ruled The World?
30: How art can speak to the
rawness of human suffering:
29: Sarah Lucas's joyful bodies are
a riposte to Sunak's binary Britain:
27: What can Theresa May's
portrait tell us about how we
portray women in power?
26: Can Helmut Newton’s sexist nudes really be fixed by gender-switching?
28: Marina Abramović's "Rhythm 0" (1974) and how it still speaks to violence today
25: Hidden Artworks in London
24: The National Portrait Gallery
23: Françoise Gilot /
Sexism in Newspaper Headlines
22: Women Taking Up Space
21: Finding Solace in Art
20: Misogyny in Art Criticism
19: What Sarah Sze's work can
teach us about our present moment
17: Artemisia Gentileschi and
portrayals of women in the media
15: How should we contextualise women artists?
14: Deborah Roberts
12: Ruth Asawa
13: Jenny Holzer
COLUMN 11: Grandma Moses
COLUMN 10: Zanele Muholi
COLUMN 9: Tracey Emin
COLUMN 8: Guerrilla Girls
COLUMN 7: Shirin Neshat
COLUMN 6: Zoe Leonard
COLUMN 4: Doris Salcedo
COLUMN 5: Lee Miller
COLUMN 4: Doris Salcedo
COLUMN 2: Lorraine O'Grady
COLUMN 3: Gillian Wearing
COLUMN 1: Agnes Denes
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